Unsane (2018), an inventive self-referential film examines the increasingly global proliferation of for-profit mental health care and personal digital media, and confuses film critics.
Two Bear-winning films explore the austerity of modern life and the suppression of the animal side of human nature.
What should be the role of an international film festival in these confusing and insecure times? Berlin’s recipe for addressing contemporary challenges
Udi Aloni’s new feature film, the winner of this year’s Berlinale Panorama Audience Award, is one of two Israeli films at the festival having the word “junction” in their title. Can one see this as a sign that Israel is standing at an important crossroads in its history? Katoikos.eu spoke to the director and the Palestinian leading actor, Samar Qupty.
“May you live in interesting times,” says a Chinese curse. Yet, reaching adulthood in “interesting times” might be an even grimmer fate. Jan Gassmann’s documentary Europe, She Loves pays a tribute to European youth’s lost years.
The Berlinale’s main award ceremony took place on Saturday, 20 February 2016, at 7.00 pm (CET) — see www.berlinale.de
- The Golden Bear went to Fuocoammare (Fire at Sea), a documentary by Gianfranco Rosi about the Italian island of Lampedusa, which has become synonymous with the hardships and the hopes of refugees.
- The Silver Bears went to Death in Sarajevo by Danis Tanović, who received the Grand Jury Prize; A Lullaby to the Sorrowful Mystery directed by Lav Diaz received the Alfred Bauer Prize for a Feature Film That Opens New Perspectives; Mia Hansen-Løve received the Silver Bear for Best Director for her film L’ avenir (Things to Come); …
Berlin International Film Festival kicks-off on Thursday, February 11 and will continue for ten days. Katoikos.eu will be there to cover new cinematographic developments from a pan-European perspective.